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FWOAC 221: Venom

Posted by P@ on October 12, 2018

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FWOAC 13: The Master / Alien

Filmcast Without a Cause starts its first round of processing with a feature review of The Master . This week's news? Guardians of the Galaxy has a director, Looney Tunes back in the movies, Michael Bay doesn't want anyone screwing up Transformers, The Great Gatsby gets moved and apparently Hollywood has lost its creativity. Plus we continue our FWOAC Franchise Flashback with a discussion of Ridley Scott's Alien .

A Bridge Too Far: Ethical Dilemmas and The Bridge

If I had seen Eric Steel’s 2006 documentary The Bridge at a different time in life, I have no doubts that I would have been impressed by it without reservations. Steel hired a team of cameramen to film the Golden Gate Bridge for one year, focusing explicitly on the people who chose the bridge as the location for their suicide. Steel then interviewed the families and friends of the deceased to try and deduce the conditions and events that lead to that person ending their life. It’s a haunting, effective film that has the power to stimulate discussion about mental illness, exhibitionism, and the various factors that can lead to a suicide. The fact that I came to The Bridge through a graduate class on documentary ethics, however, means that the film is presented to me along with additional information about the making of the film.

Let's not burn Green Book just yet

More awesome fan art on PosterSpy If you watched the 91st Academy Awards, you felt it the moment it happened. Green Book winning the Best Picture Oscar deflated the beautiful night of progressive wins. Black Panther winners felt justified and exactly the right choice, Roma's awards were cathartic artistic wins for small stories and a people maliciously and baselessly assaulted daily in this country, and Spike Lee's screenplay victory was both a fantastic make good as well as right for the moment, but Green Book... Look, Green Book is not a bad film . It is not the ideal, progressive vehicle to discuss race relations in the 50s, but still it has value. At times it is easy to get caught up in the world of hard right conservatism vs hard left progressiveness, but that is not dichotomy is not the world writ large. Calling these statues awards is ridiculous. Art isn't about competition or besting your peers. Somewhere around the time the event started being telecast, the

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FWOAC 221: Venom

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