tag:blogger.com,1999:blog-15703082594062548052024-02-07T06:08:03.403-06:00Filmcast Without a CauseStreaming Flix FirstP@http://www.blogger.com/profile/16221700525338909055noreply@blogger.comBlogger262125tag:blogger.com,1999:blog-1570308259406254805.post-46994525195028654072020-03-19T20:47:00.000-05:002020-03-23T20:48:14.271-05:00FWOAC: 1968 Academy Awards | Days of Oscars Past<div class="separator" style="clear: both; text-align: center;">
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In our last <b>FWOAC</b>, we look to the Oscars of 1968 and then look into our crystal ball for a look at the Oscars of 2021.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-66472150898443498492020-01-22T20:44:00.000-06:002020-03-23T20:44:51.423-05:00FWOAC 251: Brittany Runs a Marathon<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> rides the slopes of last year's Sundance film festival to discuss the films that were, and almost were, something. Focusing on the failed to launch Sundance crowd pleaser, Brittany runs a Marathon.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-63608535015031626592020-01-01T20:41:00.000-06:002020-03-23T20:45:03.936-05:00FWOAC 250: Best Films of Last Year (2018)<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> runs down its favorite films of last year; as in 365 days ago, 2018. </div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com1tag:blogger.com,1999:blog-1570308259406254805.post-19936031656815629022019-12-11T20:38:00.000-06:002020-03-23T20:39:21.927-05:00FWOAC 249: December 99 films<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> revisits the prestige month of December 1999 with four films.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-9433138924917257232019-11-20T20:33:00.000-06:002020-03-23T20:34:28.923-05:00FWOAC 247: November 99 Films<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">More great fan art on posterspy.com</td></tr>
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<b>FWOAC</b> discusses the potential best films of November 1999. Plus a quick discussion of Ford v. Ferrari..</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-60355850314967912242019-11-06T20:29:00.000-06:002020-03-23T20:29:49.837-05:00FWOAC 246: Terminator Dark Fate & Doctor Slee<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJue1ea-NTxnBS8xouoipQ4E4J9ha7uU_tuUsD3KLkBE1mkP34OxsnQyPYdhDEpQAutr_xdKZQIKhFCiVTy6Woi-_n3fj2ZsaiIYwkcMm_5GcrxP5V6XCgyG4TVM1ry7n0a1AvD0KEcG4/s1600/Screen+Shot+2020-03-23+at+8.27.52+PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1334" data-original-width="1496" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJue1ea-NTxnBS8xouoipQ4E4J9ha7uU_tuUsD3KLkBE1mkP34OxsnQyPYdhDEpQAutr_xdKZQIKhFCiVTy6Woi-_n3fj2ZsaiIYwkcMm_5GcrxP5V6XCgyG4TVM1ry7n0a1AvD0KEcG4/s320/Screen+Shot+2020-03-23+at+8.27.52+PM.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">More awesome fan art on posterspy.com</td></tr>
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<b>FWOAC</b> toils in the disturbing waters of time travel and magic to discuss Terminator: Dark Fate and Doctor Sleep.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-25819882134021355412019-10-30T15:54:00.000-05:002019-10-30T17:21:29.691-05:00FWOAC 245: Joker | Films of October 99<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipmjTWDQ9PkRZkcrXeUosWmgaPRvGjYuRenRJbLP0Qk7nj8orPUvTg7FkqJO7q0GbEPDEeAN8lgkCmjjdrWz1GpbdpWQMwStvbeK33iOSmX5Fm72ISk8L3dWZZxD4nT9C0dOZS4woEs9M/s1600/Screen+Shot+2019-10-30+at+3.49.07+PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1191" data-original-width="1600" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipmjTWDQ9PkRZkcrXeUosWmgaPRvGjYuRenRJbLP0Qk7nj8orPUvTg7FkqJO7q0GbEPDEeAN8lgkCmjjdrWz1GpbdpWQMwStvbeK33iOSmX5Fm72ISk8L3dWZZxD4nT9C0dOZS4woEs9M/s400/Screen+Shot+2019-10-30+at+3.49.07+PM.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="https://posterspy.com/posters/joker-100/" target="_blank">More excellent fan art</a> available on Poster Spy</td></tr>
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<b>FWOAC</b> dances recklessly through the streets of Gotham with a discussion of<b> Joker</b>. Plus we run through the most memorable films of <b>October 1999</b>.</div>
<ol>
<li><b>Three Kings</b></li>
<li><b>Boys Don't Cry</b></li>
<li><b>The Straight Story</b></li>
<li><b>Bringing Out the Dead</b></li>
<li><b>Fight Club</b></li>
</ol>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-54085134933176886662019-09-26T18:36:00.000-05:002019-09-26T18:36:37.557-05:00FWOAC 244: Best Picture Noms 1999 | The Power of Glove<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> discusses the films honored by the Academy of Motion Picture Arts and Sciences as the <b>best films of 1999</b>, plus we talk with the filmmakers of the feature length documentary "<b><a href="https://thepowerofglove.com/" target="_blank">The Power of Glove</a></b>."</div>
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<li>1:45 - Best Pictures of 1999</li>
<li>30:40 - The Power of Glove interview</li>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-80753107020984910552019-09-11T18:05:00.000-05:002019-09-26T18:05:30.559-05:00FWOAC 243: Killer Elite & Homefront<div class="separator" style="clear: both; text-align: center;">
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STATHEMBER 2019! FWOAC pulling Jason Statham back into the killing game with his 2011 film Killer Elite and 2013's Homefront.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-71494270500133250002019-09-09T17:37:00.000-05:002019-09-09T17:37:08.009-05:00IT: Chapter 2 and The Dangers of Binging <iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="390" src="https://www.youtube.com/embed/xhJ5P7Up3jA" width="694"></iframe><br />
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With the release of <b>IT: Chapter 2</b> upon us there seems to be some debate over if Ch 1 & 2 should be enjoyed as one five-hour and fifteen minute film or two separate works. I am firmly in the two separate works camp.<br />
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<b>Chapter 1 gives us insight into the childhood fears and traumas of every character and spaces out the depth of their stories and experiences.</b> Even the b-villain is given a well-formed backstory for his juvenile rage. It is quite smart at knowing whose story to tell when and which characters don't need to be examined, or even included, in scares or myth building and character enriching sequences. IT: Chapter Two does not follow this same formula.<br />
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At two hours and fifty minutes, <b>IT: Chapter Two follows a simple credo; if something happens to one of the seven main characters, then it needs to happen to all of them... on their own.</b><br />
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In the first film there is no need to give each character successive stand alone 5 minute sequences to differentiate them from the other children, because for the most part they all lead similar lives. There are notable differences pertaining to child abuse, being an orphan minority, jewish upbringing, and over protective parents, but none of this is delivered like over-stuffed dishes on a conveyor belt. With the follow-up it seems the filmmaker feels the grown-up leads have very different lives and issues to deal with so those elements need to be showcased ad nauseam.<br />
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Here is where Chapter 2 fails to live up to the style and promise of Chapter 1. While the first film has its failings in repetitiveness and seemingly simple solutions to impossible problems, it is nothing compared to its sequel.<br />
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Having watched Chapter 1 two days before seeing Chapter 2 in theaters, I can't help but see the drop in quality. <b>The 2017 film is nothing more than children overcoming their fears</b> and defeating a creature of unknown origin. In 2019 we get deeper into the origins and discover an undeveloped connection to outer space, native american faith and magic, an amnesia virus, and a heavy-handed diagnosis that adults are much more fearful and sad than children. Top off that unstable collection of mixed mythos and with a heavy polish of uneven performances and wild tone shifts. <b>Basically, IT: Chapter 2 is an awful mess.</b><br />
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So why should you not watch binge these two films? Quite simply, <b>even though they seem to share the same characters and setting, they are completely different tones and viewpoints on fear.</b> Richie Trashmouth is a perfect example of all these problems. In IT 1, Richie is the pressure release on the nightmare these kids find themselves dealing with. It is believe-able because while children live with the hope and desire for magic and monsters to be real, if confronted with them kids wouldn't turn into Ripley and stoically battle their worst fears off, they'd run, hide, battle with an equal level of valor, naiveté, fear, and silliness (because consequences don't seem to exist when you're 10). Richie the child is a silly, young boy.<br />
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Richie the adult is exactly the same person and THAT is the rub. There is a "secret" he's hiding that one might argue is arresting his development, but I don't buy it. He is the king of quips. NONSTOP. First off that is a sign that the filmmakers told Bill Hader to have a field day with his time on screen and they'd cherry pick the best jokes in the edit bay. Sadly, it appears they gave him too much rope and mixing his playful guile with the rest of the cast pushes the film past the comedy-horror <a href="https://en.wikipedia.org/wiki/Mendoza_Line" target="_blank">mendoza line</a>. Being too funny, makes the horror elements seem silly and if that isn't bad enough, Richie and Eddie are making gags (many of which don't work) at Pennywise's expense when they should be concerned they are about to breathe their last breath.<br />
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Finally, <b>the "horror" in IT: Chapter 2 isn't the magical terror incited by the clown;</b> that is what kids are scared of. The most horrifying thing is the first scene, wherein two gay men are attacked in the street and one is brutalized before being thrown off a bridge. That is far more shocking than when a surprise character's head appears and sprouts serrated spider legs. Real world adults fear things that are the worst possible outcome of real life and when you start a movie by setting this benchmark, mixing in hellscape gross-out creatures seems childish. While arresting, the scene decimates the impact of the forthcoming fantastical elements in the entire run time.<br />
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So to summarize, <b>IT: Chapter 1</b> followed the straight and narrow line of creeping out kids with their nightmares brought to life. <b>IT: Chapter 2 </b>brings those same childish nightmares to life over-and-over-and-over-and-over-and-over-and-over again (If you thought six overs was gratuitous, imagine how you'd feel seeing that on the screen except what you're watching carries no weight or stakes).<br />
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<b>Additional gripes with IT: Chapter 2 include, but are not limited to:</b><br />
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<ul>
<li>There are three too many characters to give everyone side adventures that are basically remixes of a scene the audience just sat through.</li>
<li>Mike in It 2 is a horribly written exposition machine.</li>
<li>Pennywise feeds on victims who are afraid of him, although neither the near-death Adrian and birthmarked little girl are most certainly not.</li>
<li>It varies from scene to scene whether Pennywise's horror-illusions have physical impact or are simply holograms.</li>
<li>Pennywise can change spatial relativity but never uses it to his advantage it matters.</li>
<li>What the audience is told Pennywise must be defeated seems extremely convoluted and cheesy.</li>
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<li>Not to mention unnecessary when there is a perfect good final blow that could have been the goal all along. </li>
</ul>
<li>I will never make another Return of the King joke after this movie refused to end.</li>
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<b>Sorry if I went a little long here</b> but Warner Brothers didn't see a problem with it so why should I? If you completely disagree with me, please take a couple thousand words to explain yourself in the comment section.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbJ0eEVEkrtrCo4q9GF_PAc1i_WrZG5uOHDWjpYCVYmPDMPB99tHCQZFm-ESpXD2KpP_8ltqS83yvsUeqSisLjeMu86XPjV_6p6_0Czp5KyA6al83nJUHkbJ3GlZhObKwTwFTa6tHl4I/s1600/P%2540+FWOAC+Avatar.png" style="font-family: sans-serif; margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbJ0eEVEkrtrCo4q9GF_PAc1i_WrZG5uOHDWjpYCVYmPDMPB99tHCQZFm-ESpXD2KpP_8ltqS83yvsUeqSisLjeMu86XPjV_6p6_0Czp5KyA6al83nJUHkbJ3GlZhObKwTwFTa6tHl4I/s1600/P%2540+FWOAC+Avatar.png" /></a><a href="http://twitter.com/patbobomb" target="_blank">Patrick Boberg</a> is an avid film fan, part-time film director and co-founder of FWOAC.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-88811348139092546732019-09-01T21:14:00.001-05:002019-09-01T21:14:47.040-05:00FWOAC 242: August 1999 Films<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> discusses five films that left distinct marks on <b>August 1999</b>.</div>
<ol>
<li><b>Thomas Crowne Affair</b></li>
<li><b>Sixth Sense</b></li>
<li><b>The Iron Giant</b></li>
<li><b>Mystery Men</b></li>
<li><b>Dick</b></li>
</ol>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-31969864485734025442019-08-21T14:01:00.001-05:002019-08-21T14:02:32.409-05:00Matrix: Rebooted (The Singularity & Story thoughts)<blockquote class="twitter-tweet">
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Don't worry, this isn't a simulation. <a href="https://twitter.com/hashtag/Matrix?src=hash&ref_src=twsrc%5Etfw">#Matrix</a> is back <a href="https://t.co/hTK4gtWLjb">https://t.co/hTK4gtWLjb</a> <a href="https://t.co/AVB0nR8aAj">pic.twitter.com/AVB0nR8aAj</a></div>
— Variety (@Variety) <a href="https://twitter.com/Variety/status/1164018633258835968?ref_src=twsrc%5Etfw">August 21, 2019</a></blockquote>
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If you're alive and a fan of mass entertainment, you know the news; The Matrix is coming back. There are some details; Keanu, Kerry, and Lana are back. After that we're all in the dark.<br />
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Twitter has all kinds of takes, <a href="https://www.theverge.com/2019/8/21/20826649/matrix-sequel-m4trix-keanu-reeves-carrie-anne-moss-lana-wachowski-fan-wishes" target="_blank">The Verge had a full staff discussion </a>on what they want, and when Jacob and I sit down to FWOAC next we'll have thoughts as well. Seeing as everyone is having a look back at 1999, if this was gonna happen, now is definitely the time. So before the hydrant runs dry and we all move on to the next thing (Back to the Future 4?), I'd like to write down my thoughts.<br />
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Back in March when FWOAC discussed The Matrix franchise, my takes were as follows:<br />
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<li><b>The original </b>is a classic, maybe masterpiece</li>
<li><b>Reloaded </b>is flawed but intriguing.</li>
<li><b>Revolutions is a dumpster fire</b>. (in college I even wrote the first 30 pages of a Revolutions rewrite. It is in fact the first time I ever thought something should be stricken from any saga's canon and replaced.) </li>
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So with all that preamble, Where do I think is the most palatable and logical place to set The Matrix 4.0?</div>
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<tr><td class="tr-caption" style="text-align: center;">Jacob and Pat initial text exchange on Matrix 4.0.</td></tr>
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If Warner Brothers and Lana Wachowski dare -and yes I am daring them- title the fourth film <b>"Matrix: Rebooted," then it quite simply must be a meditation on the singularity</b>. The concept that one day humans will be able to upload our consciousness to computer networks and live eternally in digital form. Quite simply Neo and Trinity have been recompiled in the programming of The Matrix as their last iterations to be present in the system from <i>Revolutions</i>.<br />
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The conflict and plot can be any number of stacked blocks, but this idea would play wonderfully with one of the few things Revolutions gets right; personhood. When Neo is stuck in the subway station, he meets innocent programs being shuttled to salvation. The concept is force-fed to the audience that just because someone isn't an organic human being doesn't mean they shouldn't be afforded the rights of an organic human being; i.e. self-ware programs are sentient and should be treated with respect.<br />
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In my "Neo & Trinity are the Matrix" framework, maybe they'll instinctively want to destroy The Matrix, but that would mean their own demise. At the same time, they wont want to fight humans because that would be carrying out an existential genocide of a world they come from. So I assume there will be some form of World War 1 entrenched combat that has a third element of complexity threatening both worlds.<br />
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Now the real storytelling flex would be to make Neo live within the confines of Matrix programming. As he no longer is operating from outside the system, he may no longer be able to do "his Superman thing." This is <b>the major flaw in the first film, at least when it was turned into a franchise.</b> Neo is basically omnipotent once he actualizes his abilities as The One. What happens when that is either taken away from him or restrained due to The Matrix inability to program something smarter and stronger than itself?<br />
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Beyond the inverted place and purpose of the leads, the singularity would be a quick slide into some of the elements of the Animatrix and discussion of power supply, anatomical and organic lifecycles, and necessities for population subsistence. Finally, the discussion of battling for the hive ethics of one army versus another. Everyone believes they are the hero in their story, well in some cases that might be true.</div>
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Okay, did I lose you a few paragraphs back? This kind of content is a bit indulgent, but who cares? If you enjoy something, and care enough to argue over its quality or delivery ideas, then that is a good thought experiment. If you've gotten this far then you're right person to read this; we have a couple years of this kind of debate before we even see a trailer for Neo & Trinity round four. Let's just hope they leave Zion, the gundams, and Jada Pinkett Smith out of it.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbJ0eEVEkrtrCo4q9GF_PAc1i_WrZG5uOHDWjpYCVYmPDMPB99tHCQZFm-ESpXD2KpP_8ltqS83yvsUeqSisLjeMu86XPjV_6p6_0Czp5KyA6al83nJUHkbJ3GlZhObKwTwFTa6tHl4I/s1600/P%2540+FWOAC+Avatar.png" style="font-family: sans-serif; margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbJ0eEVEkrtrCo4q9GF_PAc1i_WrZG5uOHDWjpYCVYmPDMPB99tHCQZFm-ESpXD2KpP_8ltqS83yvsUeqSisLjeMu86XPjV_6p6_0Czp5KyA6al83nJUHkbJ3GlZhObKwTwFTa6tHl4I/s1600/P%2540+FWOAC+Avatar.png" /></a>Patrick Boberg is an avid film fan, part-time film director and co-founder of FWOAC.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-43718171920647718102019-08-03T22:44:00.000-05:002019-08-03T22:44:49.278-05:00FWOAC 241: Films of July 1999 | Once Upon a Time in... Hollywood<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> discusses four films from 1999:</div>
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<li><b>American Pie</b></li>
<li><b>Drop Dead Gorgeous</b></li>
<li><b>Summer of Sam</b></li>
<li><b>Eyes Wide Shut</b></li>
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Followed by an impromptu discussion of Quentin Tarantino's latest film; <b>Once Upon a Time in... Hollywood</b>.<br />
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-8142519913493717282019-07-15T22:48:00.000-05:002019-08-03T22:49:41.043-05:00FWOAC 240: Cinematic All-Stars 2019 | Spiderman: Far From Home<div class="separator" style="clear: both; text-align: center;">
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FWOAC unveils its line-ups for the <b>2019 Cinematic All-Stars</b>, followed by spoiled rotten discussion of <b>Spider-man: Far From Home</b></div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-79280066275998522172019-07-05T13:08:00.000-05:002019-07-05T13:08:03.569-05:00 FWOAC 239: Films of June 1999<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC </b>discusses four films of varying quality, released in <b>June 1999</b>:</div>
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<li><b>Austin Powers: The Spy Who Shagged Me</b></li>
<li><b>Wild Wild West</b></li>
<li><b>South Park: Bigger, Longer, & Uncut</b></li>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-65140140961871293872019-06-19T15:28:00.000-05:002019-06-21T15:30:16.876-05:00FWOAC 238: Dark Phoenix | The Thing (1982)<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<b>FWOAC </b>tussles with a malicious interstellar threat discussing <b>Dark Phoenix</b>, only to freeze our faces off in the antarctic of John Carpenter's <b>The Thing.</b></div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-83462767174383679902019-05-30T10:44:00.000-05:002019-05-30T10:44:33.801-05:00FWOAC 237: May 1999 Films<div class="separator" style="clear: both; text-align: center;">
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<br />In <b>FWOAC's </b>third discussion of the films of 1999, we battle <b>The Mummy, </b>fall in love in <b>Notting Hill, </b>and lose it all going up against <b>Ghost Dog.</b></div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-91685238355277796532019-05-21T11:11:00.000-05:002019-05-21T11:11:31.262-05:00FWOAC 236: John Wick: Chapter 3 - Parabellum<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> runs for its life in order to discuss John Wick: Chapter 3 - Parabellum.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-68462578135104574562019-05-19T18:38:00.000-05:002019-05-19T18:38:12.098-05:00John Wick: Chapter 3 - Parabellum || PROLOGUE ~ Homage<div dir="ltr">
As I type this it has been roughly 24 hours since I took my reserved seat to see <b>John Wick: Chapter 3 - Parabellum</b>. A title and naming convention that lays out how much the filmmakers are aware of the monster they've created.</div>
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Normally, I'd save all my thoughts for the podcast but the John Wick series is special and this third installment illuminates something I've been failing to decode from the films. <b>Parabellum is an aggregation of, and homage to, the films that came before it.</b> This isn't a judgement on the quality of the film, simply a statement of fact. Look no further than the connection to Casablanca, the Raid films, and my favorite head-nod; the ceremonial film final fight. </div>
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Parabellum picks the perfect actor and martial arts personality to counter John Wick for the climactic battle of the film. Who may you ask? <b>Mark Dacascos</b>. Before you Google Mr. Dacascos, you know him from the Food Network's American version of Iron Chef. He was the ceremonial figurehead who kicked off every show. Other than Mr. Dacascos being introduced as a master sushi chef, the film pretty much leaves Iron Chef alone. What they really are paying service to is his film history in countless videogames, b-films, and TV series (Including Agents of S.H.I.E.L.D.), but most importantly the 2001 cult action classic "Brotherhood of the Wolf."</div>
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I wont recount exactly how cool this is, but I will say filmmakers who respect their craft understand their work stands on the shoulders of films that came before them. John Wick 3 does this in spades to both its benefit and detriment. It even steps outside the medium and is very clearly reverential to video games. Look no further than the climactic showdown(s) in the showdown with Dascascos. There is one specific shot of Jardani Jovonovich that is unmistakable for a videogame avatar making its way to a level boss.</div>
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<b>There are far too many films to list that pay service through homage to their predecessors</b>. A quick cut across genres you can think of the pool scene in Old School paying tribute to The Graduate, Boogie Nights opening tracking shot honors Good Fellas, Maybe the most famous is The Untouchables train station shoot out mirroring the Battleship Potempkin careening carriage down the spanish steps. And let's not forget Pixar doing this in every film and Tarantino's entire career, most notably Kill Bill volume 1.<br />
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But before I wrap this up I'd like to share my personal favorite homage, which is a bit of a Matryoshka doll situation.
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<a href="https://tenor.com/view/rathtar-gif-9805189">Rathtar GIF</a> from <a href="https://tenor.com/search/rathtar-gifs">Rathtar GIFs</a></div>
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In <b>Star Wars: Episode 7 - The Force Awakens</b> (Hey parallels to John Wick's ridiculous naming!), there is a completely wasted bit of plot where Ray & Fin meet Han & Chewie on a transport ship. Han is about to get killed by two rival space gangs when Ray sets loose two Rathtars, a bit of deus ex machina via unstoppable killer aliens. Now I am not a fan of the Force Awakens, I think it plays it safe far too much and wastes so much potential on stupid plot contrivances and opaque call backs to the previous saga installments. But this pointless scene is a beautiful paradox of a homage. I'm not certain this was on purpose but a junky transport ship that is attacked by a ruthless, killer alien? <b>THAT IS THE PLOT OF ALIEN!</b> My favorite film (depending on the day) of all-time. Now the paradox comes in when you factor in Alien (1979) was only greenlit because the studio wanted to replicate the success of Star Wars (1977). Now both films were ridiculously influential and have been paid tribute to time and again, but for a Star Wars film to slip in a side-adventure where the heroes have to survive a xenomorph stand-in... That deserves praise.</div>
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<b>So John Wick: Chapter 3 - Parabellum -for all its indulgences, triumphs, and failures- does one thing masterfully, that is homage</b>. How do you know it is masterful? Well if it doesn't derail the average filmgoers attention and gives the cinephile a rush of endorphins you know you have succeeded. For more JW3P insights, Jacob and I will be discussing the film on FWOAC episode 236 coming later this week.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbJ0eEVEkrtrCo4q9GF_PAc1i_WrZG5uOHDWjpYCVYmPDMPB99tHCQZFm-ESpXD2KpP_8ltqS83yvsUeqSisLjeMu86XPjV_6p6_0Czp5KyA6al83nJUHkbJ3GlZhObKwTwFTa6tHl4I/s1600/P%2540+FWOAC+Avatar.png" style="font-family: sans-serif; margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbJ0eEVEkrtrCo4q9GF_PAc1i_WrZG5uOHDWjpYCVYmPDMPB99tHCQZFm-ESpXD2KpP_8ltqS83yvsUeqSisLjeMu86XPjV_6p6_0Czp5KyA6al83nJUHkbJ3GlZhObKwTwFTa6tHl4I/s1600/P%2540+FWOAC+Avatar.png" /></a>Patrick Boberg is an avid film fan, part-time film director, and co-founder of FWOAC.<br />
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-32554049257270868392019-05-08T04:00:00.000-05:002019-05-08T04:00:09.658-05:00FWOAC 235: Summer Cinema 2019<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> takes a look ahead to discuss how the films of summer 2019 are shaping up.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-75220538195361973252019-05-04T10:04:00.000-05:002019-05-06T10:05:12.132-05:00FWOAC 234: Avengers Endgame | 1999: GO, All About My Mother, Election<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> travels all throughout time to discuss three important films from 1999, followed by Marvel's culminating adventure <b>Avengers: Endgame</b>.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com1tag:blogger.com,1999:blog-1570308259406254805.post-61804850935628774022019-04-10T21:25:00.000-05:002019-04-10T21:25:28.951-05:00FWOAC 233: Shazam!<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> can't figure out the name of the super hero but we're reviewing a film named <b>Shazam!</b></div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-10345117497934490192019-03-29T08:42:00.000-05:002019-03-29T08:42:40.701-05:00FWOAC 232: The Matrix Franchise<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> takes the red pill and goes as deep as the rabbit hole allows discussing each installment in <b>The Matrix </b>franchise..</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-82748899410906638232019-03-14T12:05:00.000-05:002019-03-14T12:05:00.489-05:00FWOAC 231: Captain Marvel<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> dances with Kree, Skrulls and Flerkens in order to discuss Marvel's <b>Captain Marvel</b>.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0tag:blogger.com,1999:blog-1570308259406254805.post-65951366854926150832019-02-27T10:43:00.000-06:002019-02-27T10:43:51.960-06:00FWOAC 230: Predict 2020 Oscars |10th Academy Awards<div class="separator" style="clear: both; text-align: center;">
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<b>FWOAC</b> travels forward and backward in time to <b>predict the 2020 Oscars</b> as well as review the Outstanding Production nominees of the <b>10th Academy Awards</b> in 1938.</div>
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P@http://www.blogger.com/profile/16221700525338909055noreply@blogger.com0